The Harbinger


From Citizen Kane to citizen can

July 8th, 2009

The Guardian, Agence France Presse, the Telegraph, the Daily Mirror, the Times and the Evening Standard all reported British foreign minister David Milliband’s unexpected Twitter tribute to Michael Jackson. “Never has one soared so high and yet dived so low. RIP Michael,” it read.

It was worth reporting, since it was so out of character. It sounded like a British politician was trying to show he was not as out-of-touch with popular sentiment as recent events might have suggested.

The Foreign Office issued a curt statement saying that the minister did not have a Twitter account. Two university students owned up to the parody, saying they wanted to show that you have to verify what you learnt on the Internet.

Other fake Twitter accounts turned up. There was one for the Chancellor, Alistair Darling, which promised “up to the minute updates on the green shoots of recovery”; and one for Nick Griffin, head of the resurgent rightwing British National Party, though his profile (“Your democratically elected, indigenous, bonk-eyed representative”) might have raised some eyebrows.

This came as everyone was raving about the role of Twitter in the Iranian election protests and how the US government saw it as so important to keeping communication going that it asked Twitter to postpone a maintenance shut-down.

Taken with the iconic cellphone camera images of a young woman named Neda dying after being shot at a demonstration, the Iranian uprising was seen by many as a watershed moment in the rise of citizen journalism.

The concept is used in many different ways. Essentially, it refers to the capacity new media gives to the ordinary citizen to gather and disseminate information in a way that used to be the preserve of journalists. Citizens have always had that capacity, but the internet enhances it infinitely.

There has never been the kind of formal distinction between journalists and others that has existed in professions like law and medicine. But journalists have controlled access to the mass media, and the internet now gives citizens the capacity to speak to the world directly without going through such gatekeepers. So where we used to have amateur footage, now we have citizen journalism; where we had eye-witnesses, know we have cellphone camera footage.

This can be empowering, as Iran showed us. It also has its risks, as the Milliband incident demonstrated.
I was in Europe in the first few days of the Iran protests, and it was striking how much the conventional media, like CNN and BBC, were relying on citizen journalism. It was of a quality that these channels would not usually use, but it had a gritty realism and authenticity.

These channels had to warn that they were sometimes uncertain where and when it was shot. But their standards of verification had clearly shifted, because they were prepared to use it nevertheless. Or maybe they felt, with their own correspondents expelled or restricted, that they had no other way to keep up the flow of information.

A few things became apparent. The first was that citizen reporting is going to become increasingly important, legitimate and politically impactful. It is often reliable, or at least as reliable as conventional journalism. It is at its best when it combines with conventional media – as when CNN was vetting videos on its website and choosing the best to show on television. Standards of verification are shifting, for better or for worse. It is not clear what ethics apply.

Ariana Huffington, founder of the Huffington Post, said it all: “Citizen journalism is rapidly emerging as an invaluable part of the gathering of the news … The best thing is that anyone can be a citizen journalist. All you need is passion, a little training and a desire to tell a good story.”

And having a good story to tell is the essence of it. Citizen journalism is only actually interesting when it gives voice to those excluded from the mainstream media, such as young Iranian women. Attempts to use it in South Africa have fallen flat because it brings forth much of the same voices we hear anyway, telling the same suburban stories. It is when citizen journalism gives voice to those we seldom hear, such as those protesting service delivery or the jobless and homeless, that it will start to enrich our media mix.

Maybe that is why the government is dragging its feet on facilitating cheap and fast universal internet access. As the Iranians have learnt, it gives a lot of power to a lot of ordinary people.

*This column first appeared in Business Day, 8 July 2009

Entry Filed under: Anton Harber, Journalism, Online

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Anton Harber: Media

Anton Harber

Professor Anton Harber directs the Journalism and Media Studies Programme at Wits University. He is former editor of the Mail & Guardian.
Full bio

Daily newspaper sales, South Africa
(Ave sales Jul-Dec)
1960 - 681 053 (Population 17,3m)
1970 - 723 566 (22m)
1980 - 803 229 (27,5m)
1990 - 1 214 396 (35,2m)
2000 - 1 117 886 (44m)
2006 - 1 600 000 (47,3m)
2011 - 1 310 000 (49m)

(Sources: ABC and nationmaster.com)

“It was pure political theatre. The excited room was filled with government officials, government consultants, quasi-government agencies, politicians and pupils from government schools. As if on cue, the room rang with applause as one education victory after another was claimed. This was, after all, the annual drama in which the minister of basic education appears on stage to announce the Grade 12 National Senior Certificate (NSC) results …” - Educationist Jonathan Jansen, one of the few with the credibility to look critically at this “celebratory orgy of mediocrity”.

“The (Incwala) ceremony is cloaked in secrecy and marks the (Swaziland) king’s return to public life after a period of withdrawal and spiritual contemplation. Among its highlights is a symbolic demonstration by the king of his power and dominance in a process involving his penetration of a black bull … But last year’s selected bull, according to a recent account from a whistle-blowing Incwala initiate, objected strongly, and threw off Africa’s last absolute monarch.” - Some surprises in this (un-bylined) account of Swaziland politics in Southern African Report

“When the Great Zucchini arrived that Saturday morning, Don had no idea who he was. Frankly, he didn’t look like a great anything. He looked like a house painter, Don thought, with some justification. He wears no costume. He was in painter’s pants, a coffee-stained shirt and a two-day growth of beard. He toted his beat-up props in beat-up steamer trunks, with ripped faux leather and broken hinges hanging askew.” - A classic of magazine profiling, by Gene Weingarten of the Washington Post.

Diepsloot (Jonathan Ball, 2011)

Diesploot: Of Frogs and Fractals, a public lecture at the University of Johannesburg, 4 August 2011

Troublemakers - The Best of South Africa's Investigative JournalismTroublemakers - The Best of South Africa’s Investigative Journalism (Jacana, 2101), edited by Anton Harber and Margaret Renn

Introduction - The Troublemakers: An account of the rise of a new wave of investigative journalism in South Africa.


What is Left Unsaid: Reporting the South African HIV Epidemic, edited by Kristin Palitza, Natalie Ridgard, Helen Struthers and Anton Harber (Fanele, 2010)

Reflections on Journalism in the Transition to Democracy - Ethics & International Affairs 18, no. 3 (2004).

Journalism in the Age of the Market
- Harold Wolpe Memorial Lecture, Centre for Civil Society, University of KZN, Aug 2002

The Untimely Death of SA’s Finest Daily - Sunday Times, May 2005

“Two Newspapers, Two Nations? The Media and the Xenophobic Violence” from Go Home or Die Here, edited by Shireen Hassim Tawana Kupe and Eric Worby (WUP, 2008)

Remarks at Goedgedacht Forum, October 2008

The rise of social network journalism - From The 2009 Flux Trend Review (Macmillan, 2008)

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